How are biological, cultural, genetic, and linguistic diversity categorised and conserved, and what can one field learn from another?
Diversity is a term that, since its emergence, has become the currency of natural and cultural heritage protection. There is a perception of a future in crisis due to the threat of biological, cultural, linguistic and genetic homogeneity. Organisations tasked with preventing this potential crisis are charged with determining and selecting forms of diversity in order to project them into an uncertain future, and in doing so, they each create their own, distinctive futures. This theme explores ethnographically a range of domains concerned with practices of categorisation, preservation and management of different forms of diversity in comparative perspective. While the potential for innovation in knowledge transfer across some of these fields has recently been acknowledged, such thinking has not been widely pursued. We explore the range of practices undertaken across various different heritage domains which share an aim in the maintenance of ecological, cultural, linguistic and biological diversity, and the values associated with these practices. In doing so, we aim to articulate the potential for innovative forms of knowledge exchange and the development of shared work practices between them, as well as the ways in which their boundaries might be challenged, reconfigured or removed.
The United Nations’ Universal Declaration on Cultural Diversity (2001) asserts that cultural heritage is the common heritage of humanity, and ties cultural diversity to human rights...
Is it Doomsday yet? We need to talk about eternity
This salon to accompany the current Octagon exhibition Cabinets of Consequence will explore how heritage and other related forms of conservation practices (including nuclear waste management) make futures. How do we use material culture to stitch futures from pasts? What do we conserve? What do we get rid of? What do we allow to change? This Salon will be staged as a series of conversations across various themes currently being explored within the Heritage Futures research programme,Event held at Haldane Room, Wilkins Building , Gower Street WC1
Techniques of Worlding: Categorization Knowledge Exchange at Kew
Svalbard Global Seed Vault: A Tale of Two Treaties
Sefryn Penrose on the cultural heritage of Svalbard and the SGSV’s position there.
The Frozen Ark
The IUCN maintains a ‘red list’ of the state of the world’s taxa, and monitors ...
Radical BAME Youth Heritage Project
Harrison, R. et al. (2016). Heritage Futures. Archaeology International 19: 68–72.
What does Doomsday look like?
The Svalbard Global Seed Vault is sometimes called the “Doomsday Vault.” Evocation of an apocalypse – red deserts, rats and roaches – is built into that term. But is that how we should really conceive of it?