How do museums and people in their homes decide what to keep in the face of mass production and consumption?
The Profusion theme addressed the challenge presented by the abundance of material and digital stuff for assembling the future archive. Expanding mass-production and consumption have resulted in more things to potentially save for the future. We have looked at what is and what is not kept for posterity. We do so by investigating two domains in the United Kingdom that face the prolific past and present in particularly acute ways: homes and museums. Taking an anthropological approach using ethnographic methods, we investigated what is selected for long-term keeping and why. What are the complex yet often unacknowledged motivations, emotions, and judgements that shape what makes it into the future? Our research addressed these questions, while facilitating crossover of insights between homes and museums to hopefully produce new understandings of and responses to profusion.
We look at museums to explore what is kept for the future archive. Museums especially face profusion when dealing with the products of mass production and consumption...
Heritage, Change and the 'Second-Generation' Phenomenon: Traditional Craft and Revitalization in Jingdezhen
Heritage Futures at the 2018 Association of Critical Heritage Studies Conference
Members of the Heritage Futures research team will be convening and presenting at seven sessions at the Association for Critical Heritage Studies 2018 conference at Zheijang University in Hangzhou, China from 1st-6th September.
If you’re heading there, come check out (at least) one of our sessions. Or follow our twitter @Future_Heritage and website for updates resulting from these sessions.
Heritage Futures: Some thoughts on the value of comparative research to critical heritage studies
04/07/2018 — 04/07/2018
From the Vault to the Archive
A Berlin Thought Experiment: Heritage Futures Visits CARMaH
Curating profusion: assembling heritage futures in homes and museums
Jennie Morgan will give a talk on the Profusion research theme at the University of Stirling Centre for Environment, Heritage and Policy seminar series.
Are heritage futures relevant to UNESCO?
Archives in Place
What Museums (can) do
Talk by Sharon Macdonald at ‘Wissensort Museum. Traditionen – Positionen – Perspektiven’ at the University of Gottingen.
Rodney Harrison, Caitlin DeSilvey, Cornelius Holtorf, Sharon Macdonald, Nadia Bartolini, Esther Breithoff, Harald Fredheim, Antony Lyons, Sarah May, Jennie Morgan, and Sefryn Penrose. 2020. Heritage Futures Comparative Approaches to Natural and Cultural Heritage Practices. UCL Press.
Anthropology of Art Research Centre, Chinese National Academy of Arts
We collaborate as partner researchers with the Anthropology of Art Research Centre at the Chinese ...
The Story in the Object
13/09/2017 — 17/09/2017
Heritage Futures collaborators Encounters are to present a new work, “The Story in the Object” inspired by the archaeological memoir “Come Tell Me how you Live” by Agatha Christie. The work will take shape throughout the week long International Agatha Christie Festival 2017 in Torquay, as you are invited to bring an object that you would want to keep for the future.
This salon to accompany the current Octagon exhibition Cabinets of Consequence will explore how heritage and other related forms of conservation practices (including nuclear waste management) make futures. How do we use material culture to stitch futures from pasts? What do we conserve? What do we get rid of? What do we allow to change? This Salon will be staged as a series of conversations across various themes currently being explored within the Heritage Futures research programme,Event held at Haldane Room, Wilkins Building , Gower Street WC1